DANMAR Art & Dance Studio supporting the culture through dance and music

DANMAR celebrated Christmas on December 16th with the participation of more than 140 students and instructors.CONGRATULATIONS!

Merry Christmas ad Happy New Year 2012.

DANMAR will re-open regular activities on January 4th, 2012. Check the schedule.

NOSTALGIA VENEZOLANA, January 14th, 7:30pm, Stafford Centre. Get your pre-sale ticket now!

DANMAR Music Program will be launch with 2 amazing Workshops.

Violin, Viola, Cello, Double Bass AUDITION, January 8th, 10:00am

5-Day Venezuelan "Cuatro" Workshop.

Re-open

Will re-open regular activities on Wednesday January 4th, 2012. Registrations are open.

NOSTALGIA VENEZOLANA

January 14th, 2012, 7:30pm at the Stafford Centre. Discover Venezuela with this marvelous show full of history, traditions, culture, live music and dance… For admission information please call Maria Urbaez (832) 868-6368

“Grupo de Cuerdas”

"Pedro Cesar Olivares" AUDITIONS Violin, Viola, Cello, Double Bass January 8th 2012, 10:00am. 20718 Park Row Dr. Katy, TX 77449 3-Day Workshop with Eddy Marcano January 9th to 11th, 2012 www.eddymarcano.com

5-Day Venezuelan "Cuatro" Workshop

Don't miss this unique opportunity to learn or improve your musical skills with the talented composer and "Cuatro" performer Hector Molina. January 7th & 8th, and 16th to 18th 2012 20718 Park Row Dr. Katy, TX 77449 For registration information please call (832) 868- 6368 danmarstudio.com / c4trio.com

DANMAR Art & Dance Studio, now DANMAR Academy of Performing Arts, a non-profit organization 501(c)(3), was founded to promote, preserve and create an appreciation of world cultures through different programs in the city of Katy, Texas. Its name was inspired from its creators DANiela and MARia Fernanda Urbaez, two extraordinary artists who have been able to develop and transmit the art in each one of their students and followers.

Its mission is to develop educational, artistic, social and cultural programs related to dance and music, as a first step to encourage understanding among people of different cultures and societies, as well as help develop a broad base of donor and sponsorship support for school operation, student scholarships, programs, awards and facility improvements.

The philosophy behind DANMAR's creation was to break the barriers related to dance and music: everybody can learn. Therefore, their focus is to provide a staff with the special combination of professionalism, creativity, technique, discipline, inspiration, and musicality and of course, a sense of fun, always within a family atmosphere which is necessary in this type of education. For the third consecutive year, 2009, 2010 and 2011, DANMAR has been selected as "Best of Katy Award in the Dance Instructor & School Services category" by the U.S. Commerce Association (USCA), been also recognized by the community for their professionalism and performance, and becoming a serious and respected dance and music academy. The 2010-2011 DANMAR season has come to an end, and we thanks our students, instructors, staff, volunteers, donors and sponsors.

On January 1st of 2007, due to the reckless act of a drunk driver, two great young artists well known in Houston and its surrounding lost their dreams. The DAN of DANMAR, Daniela Urbaez Olivares and her husband Pedro Cesar Olivares died.

Daniela was born in Philadelphia in 1984, and at very early age showed significant and natural talent for dance and music. She worked under the tutorage of magnificent instructors including her sister Maria Fernanda, and became one of the main dancers of several productions presented by DANMAR in the United States, Venezuela and Spain.

Pedro Cesar was a great musician, a virtuous of the viola and violin. His smile, happiness, and willing to help with any of DANMAR's projects, characterized him. Pedro was not only Daniela's husband but an important part of DANMAR's life.

Daniela and Pedro will be missed forever, and as long as you keep them in your hearts, their presence will always be alive.

In June 2007, DANMAR started with the Social Program "Daniela Urbaez Scholarship" for talented dance or music student and has given out more than $10.000 in scholarships and donations in the last 4 years. During 2007 and 2008 DANMAR presented in Houston, TX "Venezuela Mia" and "Venezuela Nuestra" respectively, produced and directed by the Artistic Director, choreographer and dancer Maria Fernanda Urbaez, and in loving memory of her sister Daniela Urbaez Olivares and her sister's husband Pedro Cesar Olivares. Currently "Venezuela Mia" and "Venezuela Nuestra" have been edited as: "Nostalgia Venezolana", a unique journey through Venezuela's history, music, dance and traditions, and will debut next December 2011 in Houston.

In October 2008 DANMAR produced "The Hispanic Dance Showcase", presented in the Festival Latino, Baton Rouge and in the Latin American Cultural Week, New York, attending an invitation from PAMAR, (Plácido Domingo is its Honorary President). Also, in order to promote the music created by many Hispanic composers as Manuel de Falla, Alberto Ginastera, Emilio Estevez, Camargo Guarnieri, Garcia Caturla, Jose Pablo Moncayo, Aldemaro Romero, Silvestre Revueltas to name a few, DANMAR, along with the soloist dancer Maria Fernanda Urbaez and the conductor and violinist Eddy Marcano, have presented four times in Venezuela the concert "Gala Iberoamericana de la Danza Sinfónica", accompanied by the "Orquesta Sinfónica Nueva Esparta" in February 2008, "Orquesta Filarmónica Juvenil de Chacao" in July 2008, "Orquesta Simón Bolivar del Táchira" in March 2009 and "Orquesta Sinfónica de Yaracuy" in December 2009. The concert is planned to be presented in 2012 in Puerto Rico.

In October 2009, DANMAR presented for the first time "AMERICA Latina" a mosaic of cultural expressions, featuring Cuba, Puerto Rico, Nicaragua, Venezuela, Colombia, Uruguay, Argentina, Brazil, Peru, Mexico and the roots of the Latin culture, produced and directed by Maria Fernanda Urbaez and conducted by Eddy Marcano. This production was also taken to Miami, Florida in October 2010 as part of the plan to commemorate the bicentennial of several of the countries in the region.

Also in 2010 and 2011, DANMAR, through the Cultural Expressions Program, participated in the 6th and 7th Annual Middle Eastern Dance Troupe Choreography Competition in Austin Texas, obtaining 1st place in its categories as well as 1st place in all event categories. The Children Development Program to educate children of all ages in the arts as well as to foster a cross-cultural understanding was also created. All dance and music classes are taught as part of the Educational Program which includes adults as well.

2011 was a year of celebration: DANMAR celebrated its 10th Anniversary last June 19th at the Stafford Centre. Dance, Music and Folklore were showcased not only by students but instructors, directors and special guests. The virtuosos, violinist Eddy Marcano and guitarist Gustavo Caruci joined the celebration in order to promote the newest DANMAR's projects: Grupo de Cuerdas "Pedro Cesar Olivares" as part of DANMAR Music Program.

DANMAR has relied on its directors, individual and company contributors as well as many volunteers. Please help us help others to become either a dancer or musician and to provide educational, healing and growing opportunities in the performing arts to students of all ages and levels of ability.

DANMAR is located at 20718 Park Row Dr, Katy TX 77449. For more information please call (281)398-7600 or visit www.danmarstudio.com


DANMAR’s brand new state-of-the-art facility offers 4,500 square foot of professional dance and music space. The studio features 3 large rooms, Salon Maria, Salon Daniela and Salon Rocio, two of them equipped with a professional Marley floor laid over a wood floor that gives protection to the dancers’ bodies. This floor has cushion pads underneath that absorb shock to protect knees and shins when dancers land from jumps.


The studio has full body mirrors, ballet double Barres, 14-foot ceilings and the latest sound system. Salon Maria is a studio/performance space with seating for 150. The Studio also features 1 music lesson room, Salon Pedro, totally equipped. A dance and music supply store, Curiosa, is located in the lobby for all your dancer’s needs.


DANMAR is located in 20718 Park Row, Katy, TX 77449 right in front of a new residential development at a very important intersection in a master planned community in Katy, Texas, near the Interstate Highway 10, just 30 minutes due west of Houston and in between Fry Road and Mason Road which are the most important NS streets in the city.


The facility is beautiful, functional, and full of the vibrant energy of the students, instructors and staff members. We appreciate your interest and hope you will join the hundreds who visit us each month. We pride ourselves in providing the very best dance facility in the area as well as the finest instructors.


The first DAPA production aimed at presenting Venezuela's culture through its dances and music, and considering its origins, influences and traditions. The goal of this production is to preserve and promote the Venezuelan cultural heritage to people who are anxious to keep their cultural traditions and ethnic origin while living abroad. This goal is extended to the rest of the community in order for them to enjoy the cultural richness and diversity of the Venezuelan music and dance. Venezuelan history music was composed by Chelique Sarabia: Venezuela, una canción.


PROGRAM


1st “Descubrimiento”:“Los Indígenas”: The first inhabitants of the Venezuelan territory were Native-Americans who were organized in tribes. The native population was dispersed over the territory with little or no contact among them, leading isolated lives within their tribes...Y por el mar de Oriente, llegaron de otras tierras... mientras en tierra firme esperaban los nuestros, con sus ojos confiados al horizonte amigo...

Dance: FolkloreMusic:

Music: Sonidos Indigenas

Dance: FlamencoMusic: Bulerias

Choreography by: Maria Fernanda Urbaez


"Tierra de Gracia": Modern history starts and prehistory ends. Columbus’ third voyage to the American Continent. He arrives with three sailboats and a group of men. These men had found a New World and had never seen a Native-American before. Encounters of settlement, violence, resistance and power.

Dance: Flamenco Music: Bulerias

Choreography by: Maria Fernanda Urbaez


2nd“African Contribution”: Africa's roots in Spain run long and deep. Post-1492 slavery for the American Continent was unlike any other institution devised by men.

Dance: Modern Fusion Music

Choreography by: Maria Fernanda Urbaez


3rd“San Juan”: Drumming, dancing and gratitude for the help San Juan has given throughout the years to the townsfolk of Curiepe, many of whom are descended from slaves brought to Venezuela from Africa in the 3rd voyage of Columbus...San Juan esta borracho, y yo tambien, Alabado sea Dios, alabado sea Juan...

Dance: Fusion - Folklore

Choreography by: Maria Fernanda Urbaez


4th“Por la costa”: From the Gulf of Paria to the Gulf of Venezuela, different names are given to each stopping point. The black African slaves make use of their talent marked by the great inheritance which remains and is still very much alive in the region.

Dance: Folklore - Tambores

Music:Lucero-Tambor Central

Choreography by: Maria Fernanda Urbaez


5th“Perlas del Oriente:”: A trip through Boca del Drago, Paria and Araya leading up to the discovery of the islands of Margarita, Coche and Cubagua, the first settlement founded. The site was selected due to the abundance of pearls in its waters... Sucre, Anzoategui, Monagas, la gente de Nueva Esparta, se cobijan bajo el manto, de la patrona de Oriente, Virgen del Valle bendita en la emocion marinera, al despuntar cada dia en el mar es compañera... Dance: Jota, Joropo Oriental

Music: Folklore

Choreography by: Maria Fernanda Urbaez/Rocio Braggiato


6th“Guayana”: The city was called Angostura after its founding. Today called Ciudad Bolívar, it is culturally united to the mining town of Caratal, now called El Callao. Nowadays El Callao sets the stage for a mix of different cultures, being among the most outstanding: “El Calipso del Callao” and its Carnival celebration. This tradition is now an intrinsic part of the Venezuelan cultural repertoire and a live testimony of its mix of races...El dios Canaima burlon, dios de los rayos y truenos... se estremece el Amazonas, palpita Delta Amacuro, con la fuerza de Guayana y la nobleza del indio

Choreography by: Maria Fernanda Urbaez


7th“Caracas”: In 1567 an expedition leaves from El Tocuyo under the command of Diego de Losada. Upon arrival into the Caracas’ Valley the town of Santiago de León de Caracas was founded. It was named Caracas after the Native-American tribe that inhabited the region...Con sus indios con sus blancos con sus pardos con sus negros...

Choreography by: Rocio Braggiato


8th“Los Diablos de Yare”: From the Colonial Times a festival took place with the presence of people wearing masks of dragons, devils and gigantic figures representing Good over Evil. These groups of“devils” belong to brotherhoods of religious origins called“hermandades” or“cofradías”. They attend the religious ceremony that takes place in the Churches to celebrate the day of Corpus Christi. The religious ceremony is followed by dances in the streets and public squares or“plazas” as well as in the individual homes around the town.


9th“Centro Occidente”: Arriving in the state of Lara with the correspondent mix of cultures and races...Comienzo de una leyenda que va desde el Yaracuy hasta la Guajira inmensa, donde el Diablo de Carora con la Virgen se tutea... Dance:“Tamunangue”

Music: Las Zaragozas

Choreography by: Maria Fernanda Urbaez


10th“Los Andes”: After several mutations the cities of Trujillo, Mérida and San Cristóbal are finally founded...Merida y sus picos helados, Tachira y sus tardes de toros, Trujillo y su pez sembrada...

Dance: Bambuco.

Music: Brisas del Torbes

Choreography by: Maria Fernanda Urbaez


11th“San Benito”: The city of Maracaibo is founded. The traditional celebration of The Black Saint (a very colorful parade) takes place during the month of December...Dio a Venezuela su nombre de la Venecia pequeña, y ademas del oro negro nos da el fruto de su tierra...

Dance: FolkloreMusic: San Benito

Music: San Benito de Palermo

Choreography by: Paloma Bernal


12th“La Navidad en Venezuela:”: Celebrate Christmas time with a live Nativity

Dance: Fusion–Folklore

Music: Aguinaldos


This piece is dedicated to the memory of our beloved Daniela Urbaez Olivares and Pedro Cesar Olivares who performed“Pajarillo” in May 2006. Pedro played the violin and Daniela danced it.


13th“Hacia el llano”:

Reminder of the foundation of “El Tocuyo” as a distribution central place. From there minor expeditions to Apure, Barinas and Guarico took place... Y ese llano es Venezuela, llano tuyo, llano nuestro, sus distancias infinitas todos las llevamos dentro... With this performance we are remembering our beloved Daniela Urbaez Olivares and her husband Pedro Cesar Olivares who performed “Pajarillo” in May 2006, Pedro with his violin and Daniela with her dance...

Dance: Joropo. Music: El Pajarillo

Music: El Pajarillo

Choreography by: Maria Fernanda Urbaez

  • 10th Cultural Encounter

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10th Cultural Encounter

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  • 9th Cultural Encounter

    Galery One

9th Cultural Encounter

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  • Gallery One

    8th Cultural Encounter

8th Cultural Encounter

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  • 7th Cultural Encounter

    7th Cultural Encounter

7th Cultural Encounter

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  • Nostalgia Venezolana

    Nostalgia Venezolana

Nostalgia Venezolana

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  • GALA DANZA SINFONICA

    Nostalgia Venezolana

GALA DANZA SINFONICA

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  • AMERICA LATINA

    AMERICA LATINA

AMERICA LATINA

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Everybody wants for his/her children from their schools: academic achievement, social and emotional development, civic engagement and equitable opportunity. Involvement in the arts is associated with gains in math, reading, cognitive ability, critical thinking, and verbal skill. Arts learning can also improve motivation, concentration, confidence, and teamwork. Among the reasons we consider that we deserve your support we can mention:


• We offer very reasonably rates for our educational and healing programs.
• Very affordable prices for our extraordinaire productions.
• You can help us present acclaimed international musicians, and or dancers to please the Hispanic and non-Hispanic community.
• We help selected students become either a dancer or musician through our scholarship program.
• We can continue supporting the culture through dance and music.
• Donating gives you an honorary status for the whole year.
• Students can have access to several workshops at affordable prices.
• Your children can continue learning in a safe and pleasant environment.
• DANMAR presents, at no cost, our wonderful dancers or musicians in hospitals, schools, retirement homes, etc. to entertain and promote culture.
• WITHOUT YOUR GENEROSITY AND SUPPORT DANMAR WOULD NOT BE ABLE TO CONTINUE OPERATING.


The 2010-2011 DANMAR seasons has come to an end, and thanks to your help it was a huge success. For the new season 2011-2012, DANMAR is getting ready to launch its production “Nostalgia Venezolana ” next December 17th, as part of the 200th anniversary of Venezuela’s independency, in addition to all the excitement planned for this season.


This past year, your generous donations have allowed DANMAR to make great strides forward. We subsidized and registered more kids for our Dance Program and we hired more teachers. The children were taught not only dancing but choreography, acting, lip singing, and put on impressive “10th Cultural Encounter” for parents, family and friends with a large and diverse cast of students, instructors, and special guests, impressive lighting, sets and costumes at the Stafford Centre. Finally, we have taken great strides towards starting our Music Program as part of our new season’s goals. That’s the good news. The bad news is government support for arts funding is at an all-time low and the recession means that it is that much harder to get corporate and individual support.


We would like to keep all of our incredible low-cost programs for our students and keep creating great art. So again, we turn to you for financial help. Your support is more important to us than ever before. Please consider filling out the form attached to our season brochure and mailing back your contribution to DANMAR. Please help save the only cultural organization of our kind in Houston and allow us to continue creating great art!


Have you considered? Bequeath–to leave personal property to an organization in your will. DANMAR is encouraging all of its members to take this extra step in helping support the future of our organization.


Ways to give: • Donations and/or Sponsorship Forms (please print out and mail to DANMAR)
• Call us with your credit card 281-398-7600
• Leave a legacy: for enquiries about leaving a legacy gift please call our Front Manager Kathy Clark 281-398-7600




Mariana Torrado


She was born in Mexico City and started her dance instruction at the age of three in Ballet, Jazz and Character under Arcelia de la Peña at the Royal Academy of Dance. She moved to Houston, Texas at the age of eight and was accepted into the Houston Ballet Academy. Mariana was part of Houston Ballet´s The Nutcracker directed by Ben Stevenson for two consecutive years. Her ballet career was cut short after an ankle injury, but she picked up dance again by enrolling in jazz classes at the Houston Community College. Mariana joined DANMAR Dance Studio in 2004 under the instruction of Daniela Urbaez Olivares and Maria Fernanda Urbaez and has participated in all their Cultural Encounters since then. She has also been a part of festivals and other events such as the Rice Harvest Festival.


In the summer of 2006, Mariana completed a two-week flamenco course at Taller Flamenco in Seville, Spain with dancers Felipe Mato and Lydia Valle. She began teaching beginner-level flamenco classes at DANMAR Dance Studio in 2006. Mariana has participated in flamenco workshops under the instruction of Leandra La Greca and Antonio Vargas. In 2007, she appeared in DAPA´s “Venezuela Mia”, directed and produced by Maria Fernanda Urbaez. Mariana received her Bachelor´s Degree in Public Relations with a minor in Marketing in May 2008 from the University of Houston. In October 2008, Mariana performed in “Venezuela Nuestra”, as well as with DAPA in Baton Rouge and New York City. Currently she is teaching Flamenco classes at DANMAR Dance Studio and dancing in “Maria Fernanda & her Flamenco Troupe”


Mariana deeply enjoys dancing and teaching and thanks her past and present dance instructors, especially Daniela Urbaez Olivares, Almoraima Esparis and Maria Fernanda Urbaez, for inspiring her and most importantly her parents for always supporting and believing in her!



Rocio Bernal Braggiato


Mrs. Paloma Braggiato, (Rocio Bernal Zepeda/Braggiato) was born in México City and started studying ballet at very early stages of her life with her mother Mrs. Paloma Zepeda Novelo. She has studied different expressions of dances, such as: Mexican Folklore, Hawaiian Dances, Latin Rhythms, Classic Ballet, Lyric Dances and Choreographic compositions. In 1974, she continued her classical ballet studies with Mrs. Sonia Castañeda in México while Mrs. Elena Jordan was her mentor of Improvisation and Choreographic Composition.


In 1981, Mrs. Braggiato won a Mexican Government Scholarship through the Mexican National Cultural and Arts Office to continue advanced studies in Cuba at the Cubanacan Ballet School.
During this period she was taking master classes with Mrs. Laura Alonso, Mrs. Esther García and Mr. Raul and Mrs. Denia Bustabad. In 1984, Mrs. Braggiato enrolled into Danza Génesis, a Civic Ballet Company in México, while running the Artistic Direction of the Paloma Bernal Dance Studio and the Civic Company called Arte Total, both in México.
At the same time she danced professionally in the Mexican Folkloric Ballet Huillacapitzli with which she performed in several North, Central and South-American countries. In 1987, Mrs. Braggiato debuted as a classical professional dancer with the Taller Coreográfico de la Universidad Autónoma de México (TCUNAM) under the direction of Mrs. Gloria Contreras, performing principal roles for ten years, some of them created especially for her. She participated in countless TCUNAM seasons, national and international tours, festivals, filming for cultural television, books, and documentaries. During 1994 she attended and was part of one full week Seminar and Festival for Young Choreographers at Teresa Carreño Company in Caracas, Venezuela, under the supervision of Artistic Director Vicente Nebrada.


She started as a guest teacher at the Allegro Academy of Dance / home of Allegro Ballet of Houston (ABH) in 1996, becoming faculty member in 1999 and resident Choreographer since 2003 to present. At the same time she started the Royal Academy of Dance (RAD) Teacher Certification studies obtaining the Royal Academy Teacher Certification in 2002, RAD TC 206873 and becoming a RAD Mentor on 2009. During 2001 and 2002 she founded, along with Mrs. Catriona Steel and Dance Gym Unlimited (Mrs. Dorothy Lee, Owner) the Katy Dance Arts. From 2004 joined DANMAR Art & Dance studio, home of Danmar Academy of Performing Arts, becoming Director of the RAD Ballet Programme, Ballet Mistress and Choreographer on 2007.


Mrs. Braggiato attended “The Glenda Brown Choreography Project” under the YoungTanzommer scholarship, at the University of Texas, Austin on 2003 and 2004 and University of Kansas City, on 2005, 2006 and 2010. She was named “Guest Artist” at the Winter Dance 2004 programme performed at Kansas State University during the Hispanic month celebration in the State of Missouri, re-staging “Praire Concerto”. She partnered with KSU modern dance Choreographer/Professor Mr. David Ollington the choreography “Crossover/Zig-Zag”. This work was developed again by these two Choreographers at “The Glenda Brown Choreography Project” in Austin, Texas in August 2004. While in KSU, she conducted several master Ballet classes and Mexican Folklore seminars, Conferences, Workshop Sessions both in English and Spanish languages. Mrs. Braggiato has been invited to several Hispanic radio stations in Houston to talk about dance and its influence into the Latin-American Culture in the United States.


Since 2002 to the present, Mrs. Braggiato has presented many choreographies at the Regional Dance America–Southwest region Festivals. She has also participated in all original DAPA national and international productions since 2007 as choreographer, dance member and personal Ballet Coach of Venezuelan Soloist Dancer Maria Fernanda Urbaez. She is currently an active RADTC 206873 Teacher, RAD Mentor, RAD Center 25150, Freelance RAD Ballet Teacher and Choreographer, faculty member and resident choreographer of Allegro Academy of Dance–Home of Allegro Ballet of Houston Company, director of the RAD Ballet Programme, Ballet Mistress and Choreographer of DANMAR Dance studio-Home of Danmar Academy of Performing Arts (DAPA), Director of the Dance Programme of Yorkshire Academy in Houston, TX and Owner/Artistic Director/ RAD Ballet Mistress/Choreographer of Paloma Bernal Academy of Dance in México City(RAD-North/ Center.




Stephanie MacInnis


Was born in Albuquerque, NM, and raised in Houston, TX. She began her love for dance at the age of 6. She started her dance instruction with ballet, Tap and Jazz, and the ensuing year she continued her education of dance. Many forms of music and movements have called to her and she loves each and every one of them as a gardener loves the varieties of her garden. Ballet, Tap, Jazz, Hip-Hop, Salsa, Flamenco, Belly Dance have all been gifts to her. At the age of 30, after studying Belly Dance with Maria Fernanda and Daniela Urbaez, she was invited to teach Belly Dance at DANMAR Dance Studio since 2003 until present.


Also, she was invited to participate as a dance crew member in the DAPA´s productions “Venezuela Mia” in 2007, and “Venezuela Nuestra” in 2008.


Currently, she is instructing Belly Dance Fitness at the YMCA in addition to DANMAR Dance Studio, and is one of the dancers of the “Maria Fernanda & her Belly Dance Troupe”. She continues ongoing attendance at Dance Workshops and dance classes for continued professional development.


Belly Dance has been my inspiration, my outlet for creative energy, and my avenue of escape from my “Day Job” of a working professional and business owner.